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FR:MATSUNAGA Y TO:KIESSLER M
https://www.cia.gov/readingroom/docs/CIA-RDP91-00403R000201140011-7.pdf
BC-1999-04-19.pdf
https://www.worldradiohistory.com/Archive-BC/BC-1999/BC-1999-04-19.pdf
CRPT-119hrpt231.pdf
https://www.nationalguard.mil/Portals/31/Documents/PersonalStaff/LegislativeLiaison/FY26/CRPT-119hrpt231.pdf?ver=LyHxdCHYMYP_oNEuvaRfMA%3d%3d
FR:MATSUNAGA Y TO:KIESSLER M
https://www.cia.gov/readingroom/docs/CIA-RDP91-00403R000201140011-7.pdf
VHS - InstallGentoo Wiki
https://wiki.installgentoo.com/wiki/VHS
These include the original VHS format, Super VHS, Widescreen VHS, Digital VHS, D-9 (Digital-S), and a failed 'D-Theater' brand. Most American VHS Machines only made it to Super VHS. If your machine is not Super VHS (but normal VHS), you can watch Super VHS tapes at a slight reduction in quality, but you can not record to Super VHS tapes.
оцифровка видео и звукового материала студия Studiofilm - Оголошення на 061.ua
https://www.061.ua/ogoloshennya/417902
Принимаем материалы на любых форматах аудиовизуальной записи: HDCAM SR, HDCAM, XDCAM HD, XDCAM EX, XDCAM, P2, SxS, D-1, D-2, D-3, D-4, D-5HD, D-6HD, D-9, Digital S, Digital Betacam, MPEG IMX, Betacam SX, Betacam SP, BETACAM, DVCPRO HD, DVCPRO 50, DVCPRO, HDV, DVCAM, DV, Mini DV, Micro MV, Digital8, Hi8, Video8, DVHS, SVHS, VHS, SVHS-C, VHS-C, U-Matic SP, U-Matic, Super Betamax, Betamax, DVD-Video, DAT, CD, Mini Disc, рулоны магнитной ленты 1/4 (6,3мм), грампластинки, кинопленку 8мм/16мм/35мм, компакт-кассеты и.т.д.
MOTOROLA DCT 2500 USER MANUAL Pdf Download | ManualsLib
https://www.manualslib.com/manual/739133/Motorola-Dct-2500.html
Page 8 Figure 1-1 illustrates front and rear views of the DCT2500: MESSAGES REMOTE CURSOR SELECT CHANNEL POWER GUIDE INFO MENU AUDIO RF IN DIGITAL SWITCHED RF IN AUDIO OPTICAL 105-125V 60Hz 4A MAX 500W MAX CABLE TV/VCR VIDEO DIGITAL S-VIDEO AUDIO Seperate instruction manual for the Seaside Universal Remote Control is available for download. Page 9: Calling For Repairs Introduction Documents Conventions Before you begin working with this manual and using the DCT2500, familiarize yourself with the stylistic conventions used in this manual: Courier font If You Need Help For technical assistance,...
ComputerLanguage.com
https://www.computerlanguage.com/index/d.php
Camcorder - New World Encyclopedia
https://www.newworldencyclopedia.org/entry/Camcorder
It can record in DV25, Avid JFIF, DV, MPEG IMX, DVCPRO50, and Avid DNxHD format, depending on generation. n- Digital-s (1995): JVC debuted a digital tape similar to VHS but had a different tape inside and supported digital HD broadcasts. Widely used by FOX broadcasting. Also called D-9. n- MiniDV (1995) was a smaller version of the DV standard released by Sony. n- DVD (1995): Uses either Mini DVD-R or DVD-RAM. This is a multi-manufacturer standard that uses 8 cm DVD discs for 30 minutes of video.
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AI Summary
Digital-S (D-9) is a professional digital video format developed in the 1990s, primarily by Matsushita (now Panasonic). It was designed to provide high-quality video recording and playback for professional applications such as television broadcasting and production. The format is notable for its ability to deliver better image quality compared to traditional analog formats, such as VHS and Super VHS, and it was a response to the growing demand for digital video solutions in the industry.
### Background and Development
The D-9 format is part of the Digital-S family, which encompasses various digital video formats. It was introduced as a way to facilitate the transition from analog to digital video technology during a time when the industry was rapidly evolving. The D-9 format is particularly associated with the professional broadcasting sector and is often used in television studios for both recording and editing.
### Technical Specifications
D-9 recordings are made on tapes that are similar in size and form factor to standard VHS tapes, which helps in creating a familiar user experience for those transitioning from analog to digital formats. The key features of D-9 include:
- **Digital Compression**: D-9 utilizes advanced digital compression techniques to maximize video quality while minimizing the amount of data that needs to be stored. This allows for longer recording times without sacrificing image fidelity.
- **Video Resolution**: The format supports a range of resolutions up to 480i (interlaced) for standard definition and can also support higher resolutions for specific applications. This makes it suitable for various broadcasting needs.
- **Audio Quality**: D-9 can handle multiple audio tracks, including stereo and surround sound options, which enhances the overall viewing experience by providing rich sound quality.
- **Error Correction**: The format includes robust error correction mechanisms to ensure that playback remains smooth and reliable, even in cases where the media may be damaged or degraded.
### Applications
Digital-S (D-9) found its niche primarily in professional environments. It was widely adopted for:
- **Television Production**: Many television stations and production companies utilized D-9 for recording shows, news broadcasts, and other content. Its digital nature allowed for easier editing and manipulation of video files.
- **Archiving**: The longevity and reliability of D-9 tapes made them a popular choice for archiving important video content, ensuring that historical footage could be preserved for future generations.
- **Broadcasting**: D-9 was compatible with various broadcasting equipment, making it a viable option for live television broadcasts and remote productions.
### Competition and Legacy
While D-9 was successful in its own right, it faced competition from other digital formats that emerged around the same time, such as Digital Betacam and later advancements in digital video technology. Formats like Digital Betacam offered superior image quality and became the industry standard for many professional applications.
As technology progressed, the industry gradually moved towards more advanced digital formats and file-based workflows. The emergence of non-linear editing systems and digital storage solutions further diminished the reliance on tape-based formats like D-9.
### Conclusion
In summary, Digital-S (D-9) represents an important milestone in the evolution of digital video technology, particularly within the professional realm. While it may not have achieved the same level of widespread popularity as some of its competitors, it played a significant role in bridging the gap between analog and digital video formats. Its introduction allowed broadcasters and producers to adopt digital technology more seamlessly, paving the way for the modern digital landscape we see today. Despite its eventual decline in favor of newer technologies, D-9 remains a noteworthy part of video history, reflecting the industry's transition toward digital media.
### Background and Development
The D-9 format is part of the Digital-S family, which encompasses various digital video formats. It was introduced as a way to facilitate the transition from analog to digital video technology during a time when the industry was rapidly evolving. The D-9 format is particularly associated with the professional broadcasting sector and is often used in television studios for both recording and editing.
### Technical Specifications
D-9 recordings are made on tapes that are similar in size and form factor to standard VHS tapes, which helps in creating a familiar user experience for those transitioning from analog to digital formats. The key features of D-9 include:
- **Digital Compression**: D-9 utilizes advanced digital compression techniques to maximize video quality while minimizing the amount of data that needs to be stored. This allows for longer recording times without sacrificing image fidelity.
- **Video Resolution**: The format supports a range of resolutions up to 480i (interlaced) for standard definition and can also support higher resolutions for specific applications. This makes it suitable for various broadcasting needs.
- **Audio Quality**: D-9 can handle multiple audio tracks, including stereo and surround sound options, which enhances the overall viewing experience by providing rich sound quality.
- **Error Correction**: The format includes robust error correction mechanisms to ensure that playback remains smooth and reliable, even in cases where the media may be damaged or degraded.
### Applications
Digital-S (D-9) found its niche primarily in professional environments. It was widely adopted for:
- **Television Production**: Many television stations and production companies utilized D-9 for recording shows, news broadcasts, and other content. Its digital nature allowed for easier editing and manipulation of video files.
- **Archiving**: The longevity and reliability of D-9 tapes made them a popular choice for archiving important video content, ensuring that historical footage could be preserved for future generations.
- **Broadcasting**: D-9 was compatible with various broadcasting equipment, making it a viable option for live television broadcasts and remote productions.
### Competition and Legacy
While D-9 was successful in its own right, it faced competition from other digital formats that emerged around the same time, such as Digital Betacam and later advancements in digital video technology. Formats like Digital Betacam offered superior image quality and became the industry standard for many professional applications.
As technology progressed, the industry gradually moved towards more advanced digital formats and file-based workflows. The emergence of non-linear editing systems and digital storage solutions further diminished the reliance on tape-based formats like D-9.
### Conclusion
In summary, Digital-S (D-9) represents an important milestone in the evolution of digital video technology, particularly within the professional realm. While it may not have achieved the same level of widespread popularity as some of its competitors, it played a significant role in bridging the gap between analog and digital video formats. Its introduction allowed broadcasters and producers to adopt digital technology more seamlessly, paving the way for the modern digital landscape we see today. Despite its eventual decline in favor of newer technologies, D-9 remains a noteworthy part of video history, reflecting the industry's transition toward digital media.
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